Gertrude Artist Profiles – Victor Seaward
from Tom Sharman on 7 Oct 2021
We visited Victor Seaward in his studio to discuss his seductively poetic, technology-infused, conceptual sculpture.
https://gertrude.com/
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Gertrude Artist Profiles – Victor Seaward
from Tom Sharman on 7 Oct 2021
We visited Victor Seaward in his studio to discuss his seductively poetic, technology-infused, conceptual sculpture.
https://gertrude.com/
Piers Alsop – Like An Ancient Day
from Tom Sharman on 6 Jul 2021
Piers employs imitation and, at times, backhanded homage as a means of questioning power structures. He frequently references other artists’ work and the wider art world with a wry smile, highlighting its relationship to belief. The constant devouring and humorous regurgitation of art history suggests at once a cock of the head; a questioning reverence coupled with a natural suspicion. He says, ‘It’s not so dissimilar to what cavemen did. I paint the beasts I depend on for survival’.
Piers constantly probes at the concept of truth, questioning both religion and art, both of which create frameworks for doubt as well as faith . Never short of humour, the paintings manage these more philosophical dimensions with a light touch, as if to recognise the vanity of such pursuits.
Kizer Element 90 Frame Promo
from Tom Sharman on 11 Jan 2021
Sam Crofts tests the new Kizer Element 90 frames around the streets of London City in early January, 2021.
Filmed and edited by Tom Sharman.
Music: Lorn – Inertia (no copyright infringement intended)
Emma Hart x The Sunday Painter ‘BE SOME BODY’
from Tom Sharman on 10 Dec 2020
Emma Hart’s sculptures are coming for you. Moulded into the guise of everyday objects, previously ranging from banal clipboards and suburban satellite dishes to surreal comic book speech bubbles, her fired clay gestures protrude from walls getting in your face and into your space. Hart’s new series of sculptures for her first solo exhibition at The Sunday Painter continue to appear somewhat unruly and impolite, while adopting a more aggressive or impatient tone. A row of table tennis bats with extended handles hinge from the walls like bendy arms dangling in the air about to land a punch. Or perhaps a slap. Or a swat. Alongside them a series of megaphones with mouthpieces jutting out from the wall seemingly shout (inaudibly) through their amplifying cones. The megaphone sculptures are succinct conceptual gestures performing the action of the objects they depict. When discussing them in her studio Hart drills down into these sculptural fragments further: they’re not a description of an object, but a physical manifestation of the verb, insisting “it’s not a sculpture of a megaphone, it’s a sculpture of what a megaphone does”. Her attention to detail, distinguishing between the noun and the verb, sets out the vocabulary for this whole new body of work which deflects and reflects meaning in different directions.
https://thesundaypainter.co.uk
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